Editor & Head of Department - Morning Tide (2024)

Narrative Short Film

• Sole editor responsible for the entire post-production pipeline, from ingest to final delivery.

• Used Avid Media Composer to manage media files, create proxies, assemble footage, and ensure precise continuity.

• Collaborated closely with the director from pre-production, providing technical insight for a seamless production to post transition.

• Built and led a dedicated post-production team, selecting specialists in sound, VFX, and colour.

• Organised and oversaw post-production scheduling and team communication, ensuring delivery deadlines were met.

Colourist - Femme (2024)

Narrative Short Film - Toronto International Film Festival Winner

• Worked closely with the director and producers to interpret creative intent and deliver a cohesive visual grade.

• Set up and maintained a DaVinci Resolve workflow, ensuring correct RGB values, resolution, and delivery specifications for both univeristy and festival submissions.

• Performed advanced secondary grading, including masking and tracking to remove signage.

Editor / Sound / Colourist / VFX - Overtime (2024)

Narrative Short Film (EditStock)

• Sole post-production lead, managing the project from ingest through to final delivery.

• Built and maintained a structured Avid Media Composer workspace, including bin organisation, proxy workflows, and file naming conventions.

• Created visual effects in After Effects, compositing elements such as a tracked full moon and elevator doors closing.

• Prepared and exported sequences for Pro Tools and DaVinci Resolve, managing AAF workflows for sound mixing and colour grading.

• Mixed the film in Pro Tools (stereo) and graded in DaVinci Resolve, creating a dark look to support the film’s genre.

• Designed title and end credits in After Effects, ensuring correct colour management and seamless reintegration into Avid.